As it stands, I just really don't like Amélie. Sorry to tell you this, Amélie and all other feel-good movies, you can't. They promote the idea that you can do anything if you set your mind to it. Lastly, and I am fully aware that this is a matter of preference, but I'm just one of those "unemotional freaks" who hates feel-good films. Amélie Poulain, the title character of Jean-Pierre Jeunets fourth feature film, is a waitress with a big imagination, who finds herself drawn to simple pleasures in life, such as taking in a. First, you have to actually fucking like each other. Amelie, a 2001 French romantic comedy, is directed by Jean-Pierre Jeunet and stars Audrey Tautou, Mathieu Kassovitz, and Rufus. Also, the way she artificially created a relationship between the restaurant regular and the smoke shop girl was incredibly manipulative, and is not how relationships work. JUST TELL HIM "I LIKE YOU, LET'S FUCK." AND THE WHOLE MOVIE WILL BE OVER.", and I rarely shout at films. THERE IS NO NEED FOR THIS SECRET AGENT BULLSHIT. This New Wave classic directed by Alain Resnais, with a screenplay by the novelist Marguerite Duras, is about a couple, a French actress and a Japanese architect. By the end of the film (hell, even by the middle of the film), I was shouting "JUST GET THE FUCK TOGETHER WITH HIM, IDIOT. Secondly, Amélie herself annoyed me to no end. She's given little to no verbal characterisation, no-one ever says "Well Gee Nurse Ratched is such a bitch 'cos her dad was killed by a disabled person." or some expository shit like that, it's all left for the viewer to imagine and deduce what conspired before the movie begins and try and see if they can figure out just why Nurse Ratched is so heartless - and it works amazingly well. For a really great example of this, watch One Flew Over the Cuckoo's Nest, my favourite film of all time, and examine the character of Nurse Ratched. Get notified if it comes to one of your streaming services, like Netflix, on. The best policy for character development is to show, rather than tell us the little things that make the character who they are - this helps because you're allowing the audience to work things out for themselves, instead of treating them like a complete moron by explaining that "THEES EES CLAUDE END EE LIKES TO POP BOOBLE WRAP". Amélie is only available for rent or buy starting at 3.99. First of all, telling the audience straight up what people like and dislike is not good storytelling. I know I'm very much in the minority, but I hated Amélie, for several reasons. While some found its relentless charm overwhelming and its rose-tinted vision of France politically suspect, it became an enormous arthouse hit, received five Oscar nominations and was named European Film of the Year.Ĭhocolat (2000) mined a similar seam of Gallic whimsy, while Funny Face (1957) had Audrey Hepburn finding love in an equally romanticised Paris.SERIOUSLY, PEOPLE, READ THE WHOLE COMMENT BEFORE DOWNVOTING. Amelie (Jean-Pierre Jeunet, 2001) is such a delightful film in every way and oozes french retro. Visually brilliant, fast-moving and full of cinephile in-references, Amelie is also instantly accessible and entertaining. We let you watch movies online without having to register or paying, with over 10000 movies and TV-Series. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story. Amelie 2001 121 minutes 4. chances, and gets away with them.”īest known for dark and chilly fantasies – Delicatessen The City of Lost Children (1990) and Alien: Resurrection (1997) – Jean-Pierre Jeunet moved into, for him, entirely new territory with this life-affirming, colourful comedy, while Tautou’s captivating performance prompted comparisons with Audrey Hepburn.Īmelie is both the story of its heroine’s eccentric quest for love and an affectionate, shamelessly old-fashioned portrait of Paris, particularly the picturesque area around Montmartre and the oddball characters living there. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. At a tiny Parisian café, the adorable yet painfully shy Amélie (Audrey Tautou) accidentally discovers a gift for helping others. “It takes so much confidence to dance on the tightrope of whimsy. With Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta. AKA: UK extras, i i, Amelie from Montmartre, Amelie of Montmartre, Le fabuleux destin dAmélie Poulain.
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